Owen Knight is part of the Southend Writers and Artist Network (or SWANS) as we’re more commonly known, and was the first of this illustrious group to take me up on my invite to answer my 5 questions. Like me Owen dips his toes into the YA market, with his dystopian trilogy of sci-fi conspiracy mysteries – The Invisible College – which are on my reading list for 2017, as the premise really intrigues me. As is his ability to turn books round so quickly. All three were published between August 2015 and October 2016. No mean feat!! I wish I knew his secret.
If you like buying books from the author, Owen will be speaking at the Essex Local Authors Event at Chelmsford Library on Saturday 18th March before dashing to SALAD, @theforum to spend Saturday afternoon and all day Sunday 19th with us. (If you’re happy to buy anonymously (so to speak) – he’s stocked at all the usual online outlets and Waterstones in Chelmsford. If you want to get in touch with him this link takes you to his Facebook page.)
What is your favourite book from childhood?
I used to love reading to my children when they were young. In addition to the literary classics, their favourite books included the Asterix and Tintin series. Asterix instilled in them a love of wordplay, whereas Tintin reinforced the understanding that the world is larger than the Essex village in which they lived. Both series provided adventure and discovery. The books must have had some effect: last year one of my sons walked the entire 2,650 miles of the Pacific Crest Trail in four and a half months
What is the first book that made you cry?
The book that has had the most emotional effect on me is Le Grand Meaulnes by Alain-Fournier. Meaulnes returns after disappearing for several days. He tells of having discovered a hidden chateau, where a dream-like fête is taking place, with everyone dressed in costume, and where he meets a beautiful woman. The story tells of falling instantly in love, the search to find the chateau again, of longing, loving, loss, rediscovery, and ultimately sadness.
I have used the theme of a hidden village in my own trilogy, although the similarities end there.
Have you ever read an author whose books you didn’t like, and how has this impacted on your writing?
I have read a number of books by an award-winning novelist whom I ought to leave unnamed. Several of his novels open with highly original and attention-grabbing first chapters. Unfortunately, the remainder of the book often disappoints, by not living up to the promise.
This has provided me with the discipline to continually ask myself three questions while writing. Is this plausible? Is this interesting to the reader? Is it relevant to the story?
Do you want each book you write to stand on its own, or are you trying to build a body of work with connections between each book?
My The Invisible College Trilogy (They Do Things Differently Here, Dust and Shadows, A Perilous Journey) was published between August 2015 and October 2016. The trilogy is intended to be read in sequence. Each book is written in a style to reflect the development of the plot.
Book 1 is written with hints of the Gothic, as befits the arrival of the teenage protagonists in a community apparently locked in a 1950s time warp. Book 2 continues in a detailed, analytical manner, as many secrets and references to myths and legends are uncovered. The final volume moves swiftly towards a dramatic conclusion.
I am working on a prequel, which explains the history and rationale for the hidden village.
What did you edit out of this/these book/s?
I was ruthless at removing superfluous dialogue, leaving the reader to fill gaps in the text and to research for themselves many of the references to science, myths and history. An enormous amount of research went into the books; I needed to take care not to burden the reader with too much detail. This demanded further cuts.
I believe that the result is that the trilogy can be read as a simple adventure, taking the text at face value. Alternatively, the curious reader can do their own research of topics of particular interest.
Ever notice when you read an interview from an author, they always ask the same questions: how did you get into writing? What inspires you? What inspired you to write this book? It gets samey after a bit. So I had a trawl of the internet for different questions and came up with these 5 as my favourites of the moment.
What is your favourite book from childhood?
What is the first book that made you cry?
Have you ever read an author whose books you didn’t like, and how has this impacted on your writing?
Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
What did you edit out of this book?”
Here are my answers:
My favourite book from childhood was bought for me by my mum and dad. Written by Julie Edwards – or so it said on the front cover – it was the tale of three siblings: Ben, Tom and Melinda Potter, who through their association with Professor Savant travel to meet the last of the Whangdoodles; a mythological creature capable of growing his own slippers. As a kid, I was enchanted. As an adult I need to find it at my parents and read it again.
The first book that made me cry was Tom’s Midnight Garden by Philippa Pearce. It’s towards the end when Hetty gets older, falls in love with Barty and ceases to see Tom.
As for the author whose books I didn’t like – I have a confession to make. It’s Tolkein. It’s probably not his fault. It’s probably the fault of my English teacher in first year senior (year 7) for making us read The Hobbit. Whatever possessed them? It’s a book you should curl up with not be forced to read in school. It scarred me for life. How has impacted on my writing? I get to the action as quickly as possible. Also, I don’t write books worthy of literary study. In my mind, it’s the kiss of death.
My books do have connections, yes. The historical research binds the three books, obviously, but I have cameos. Melville from book 1 of Aldwych Strand – pops up in Cowardice, as does Mark (in passing) and of course Lucy gives a little girl some words of advice in Whitechapel, which shapes how she deals with the pawnbroker…
As for what did I edit out of Cowardice of Crows? There was a newspaper article about Symington at the Savoy Hotel. I wanted it to show him as the centre of the media, and provide a link to the previous books. The editor really didn’t like it. She was right. It was awful. It went.
As part of the promotional week, my publisher sent me some interview questions. I love his questions; beautiful open ended things that allow you to think. I enjoyed answering them, especially as they bridge the gap nicely between the world of Lucy and Mark, and that of Symington, Lord Byrd.
From 12th – 19th August – Each individual instalment of the Aldwych Strand trilogy can be purchased in ebook format from Amazon for the amazing 99p each (saving £3!) Click the picture below to go to Amazon
For those of you who like a bargain, or who like celebrating Easter in a non chocolaty but equally decadent kind of way, I have news. My publisher Kensington Gore has put the Secret of Aldwych Strand on special.
From Saturday 26th – Sunday 29th (inclusive) Book 1 of Mark and Lucy’s adventures is free, gratis – cost nothing to purchase for your Kindle.
For a slightly longer period – the 26th of March to the 2nd of April the other two tales in the trilogy are reduced to only 99p.
“Where do I get them?” I hear you cry as you charge your kindle and kindle app!
Later this year, the first Byrd novel hits the shelves. The following is a short extract from chapter 2… Enjoy
Friday 2nd November, 1900
12pm
A shy unassuming man, who was wearing a clerk’s suit complete with a bowler hat, caught the noon train to Brighton. Aged about 40, he positioned himself in the corner seat of a second class carriage, and stared out of the window at the passing scenery. Every so often, he would look at his well-worn half hunter, and note something down in the pages of a little black notebook; but otherwise he was no trouble to the people who travelled with him from London. When the train entered the tunnel the man tensed, and a motherly lady with big hips and loud breathing, patted him gently on the arm, and made soothing noises. He thanked her, in a whisper, and continued to sit upright until the tunnel section of the journey was complete. Then with a sigh, he leaned back against the seat and closed his eyes (to all intents and purposes) worn out after his nervous display. And thus he stayed, until ten minutes before the locomotive was due to pull in to Brighton, when the carriage was disturbed by the conductor.
“Mr. Sampson?” The shy man jumped, dislodging the bowler from his lap and sending it to the floor.
“Yes?”
“The earl requests you attend him in First, sir.”
“Yes… Yes… Thank you.” The man rescued his hat from the motherly lady (who had swooped eagle like to pick it up) and stood up. Making his apologies, he made his way out of the carriage and down the corridor.
~~~
At the station, the motherly woman looked out for the shy man amongst Earl Byrd’s very noticeable entourage. But while she could see a burly porter pushing a trolley laden with cases; a ramrod backed valet (who had clearly seen military service); and an efficient looking secretary with grey hair and a hatchet nose; there was no sign of the shy man. Instead of looking perturbed by his absence, the motherly woman grinned and hobbled her way to the ladies cloakroom, where an attendant later found a pair of boots stuffed with newspaper.
All being well and good Secrets and Lies will be at the Hockley and Hawkwell Methodist Hall on February 13th with copies of the Aldwych Strand Trilogy as well as the compendium version.