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The Problem with Dressing Gowns!
I have made a decision, my gentleman detective needs a dressing gown.
Well, you’d have thought I’d have asked the Pope to change religion!
You see, if I wanted an Arthur Dent style dressing gown, I’d have been fine. Not only could I have sourced one for Symington at the start of the 20th century, but I could get one for OH from Ebay…
But a man’s dressing gown? Very limited stock indeed from which to choose.
See what I mean?
Now Symington is a man of taste, suaveness and sophistication. I can’t see him in any of the above.
Well possibly the last one but in black and gold…
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It’s all in the Clothes
if you didn’t see it on the other blog; here it is for your delectation
OH and I have been thinking a lot about Emily and her relationship with Symington. She’s an East End girl of genteel stock; he was part of the late King Edward’s crowd. . He has been asked to look after her, she has contacts in the East End that are vital to a criminologist; but she is feisty and independent. She will not accept help easily but – if she doesn’t – the work house is the only alternative. However, she’s a girl who doesn’t trust easily (she suspects him of having designs upon her personage; a bit like Liza Doolittle did of Henry Higgins) – well with her father, do you blame her?
Let me explain:
Emily’s mother was a rural vicar’s daughter who ran off with an artist with a roving eye. Our heroine passed the 11 plus but never went to grammar school because after her mother…
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Mark and Lucy’s London
see what London was like in 1927 – rare colour film, uncovered by the BFI
Uncovered recently by the BFI, this footage was taken in 1927. 18 years earlier the dresses were longer; and probably less cars. But this was the London, Lucy Pevensea and Mark Birch (two 21st kids) found themselves in. Different isn’t it? Find out more of a world of danger, intrigue and timetravelling teenagers…..
Sarah E Smith 