Byrd Blog

Engineering Rows

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This week I’ve been doing a lot of thinking rather than a lot of writing. Being stuck in traffic is like that. And I’ve been thinking about my victim. Well one of them. A chap by the name of Sir Martin Hamblebee. In my head he’s a nasty piece of work. A bully. A pompous boar of a man who deserves to die.

But he’s not coming across like that on the written page . Yes he’s  short tempered. His family don’t like him. But so far there’s no evidence of brutality. No evidence of ruthlessness.  No reason to fist pump the air on discovering him face down in his Times.

My  gut tells me he needs to threaten some of the house guests but not about their private lives. He doesn’t have enough interest in them as human beings to do that. So, if I may, let me work through my thoughts, dear reader…

Both Sir Martin Hamblebee and his brother are bankers. They are new money and the baronetcy was earned by their father for services rendered. Probably murky. Definitely underhand. So I can see Hambleebee senior  threatening to call in a loan, or the like. It’s also true that threatening someone  with financial ruin is a  good motive for murder. But doing it in a way that doesn’t seem contrived is the difficult bit. Miss Marple always overhead such threats because people thought she was asleep in a chair, or didn’t see her in a chair.  Byrd can’t do that. His legs are too long. They’d be seen. And everyone knows he hears in his sleep. Poirot would just walk down a corridor, or step out from behind a curtain after a threat had been issued. He’s small enough to get  away with such things.  The rest of Byrd is like his legs. Tall and lanky.  Besides  if Byrd’s the only one to witness such outrages, his reactions are going to be private. And that’s not going to help the plot at all. No. Any threats of financial ruin must be seen and  heard – by a lot of people including Byrd. Which means one of the business meetings must be the venue for such a thing. That could then lead to long simmering hatred. Though plotting long term revenge is surely more a woman’s weapon than a man. And Hamblebee doesn’t believe women have a business brain. So there won’t be any of them involved in his financial dealings. Good God no!

Which leads to the second area I need to elaborate on. Hamblebee isn’t just a banker. He’s a bully. So how to bring that out? Physical and emotional abuse are his weapons of choice.  His youngest sister in law – Leticia – is the victim of his emotional outrages. Something Hamblebee  can get away with because  Fortinbras Hamblebee doesn’t have the cajones to stand up to his older brother. There’s a tale there, and one – you’ll forgive me if I keep close to my chest.

  But  while Fortinbras will say nothing to the verbal abuse. Surely, if Hamblebee , his brother will do something? Especially if it’s a public thing. Purse strings or no purse strings. There’s male pride at stake… No. I think I need to rule out Hamblebee hitting Leticia. But he needs to hit someone. Byrd would just laugh. CC might deck him back. And if he hit a servant, Sampson would have something to say about it. So I need to look closer to Hambleebee’s home.

The wife – Georgette – is an obvious route for  long term physical abuse. But given Hamblebee is a social climber, he can’t risk public condemnation for such things. This is Symington Byrd’s world not Eastenders.  He needs the approbation of the King and his set. But a bruise, a broken wrist – that’s a possibility. A hint of violence. It could be easily explained away as an accident. But would it really be a a motive for murder?

I suppose Georgette herself might kill him, driven beyond reason like Ruth Ellis. But it’s 1901. A wife has some  rights in a marriage. And through her sister in law, she  has access to a king who would help her achieve a divorce in return for a kiss or two and a bit of how’s your father… And there are no children to tie her to the brute…so she does have an alternative to murder. Though I’m not sure sleeping with the King of England to achieve it would be every woman’s idea of a way forward. So unless she had a lover waiting in the wings… or a knight in shining armour determined to avenge her… or there’s someone who overhears such things and adds it to the list of crimes Hamblebee’s committed, we’re no futher forward. How do I contrive a beating behind closed doors that can be witnessed/overheard by all the suspects? And how do I make it believeable?

I think I need another traffic jam…

 

6word story February 2017

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The dog’s stick was a snake

5 Questions for Authors: Owen Knight

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owen-knight


Owen Knight is part of the Southend Writers and Artist Network (or SWANS) as we’re more commonly known, and was the first of this illustrious group to take me up on my invite to answer my 5 questions. Like me  Owen dips his toes into the YA market, with his dystopian trilogy of  sci-fi conspiracy mysteries – The Invisible College – which  are on my reading list for 2017, as the premise really intrigues me. As is his ability to turn books round so quickly. All three were published between August 2015 and October 2016. No mean feat!!  I wish I knew his secret.

If you like buying books from the author, Owen will be  speaking at the Essex Local Authors Event  at Chelmsford Library on Saturday 18th March before dashing to  SALAD, @theforum to spend Saturday afternoon and all day  Sunday 19th with us.  (If you’re happy to buy anonymously (so to speak) –  he’s stocked at all the usual online outlets and Waterstones in Chelmsford. If you want to get in touch with him this link takes you to his Facebook page.)

What is your favourite book from childhood?

937428-asterix.jpg I used to love reading to my children when they were young. In addition to the literary classics, their favourite books included the Asterix and Tintin series. Asterix instilled in them a love of wordplay, whereas Tintin reinforced the understanding that the world is larger than the Essex village in which they lived. Both series provided adventure and discovery. The books must have had some effect: last year one of my sons walked the entire 2,650 miles of the Pacific Crest Trail in four and a half months

What is the first book that made you cry?

The book that has had the most emotional effect on me is Le Grand Meaulnes by Alaintumblr_inline_o4y8uaxd4o1s61f2g_250-Fournier. Meaulnes returns after disappearing for several days. He tells of having discovered a hidden chateau, where a dream-like fête is taking place, with everyone dressed in costume, and where he meets a beautiful woman. The story tells of falling instantly in love, the search to find the chateau again, of longing, loving, loss, rediscovery, and ultimately sadness.

I have used the theme of a hidden village in my own trilogy, although the similarities end there.

Have you ever read an author whose books you didn’t like, and how has this impacted on your writing?

I have read a number of books by an award-winning novelist whom I ought to leave unnamed. Several of his novels open with highly original and attention-grabbing first chapters. Unfortunately, the remainder of the book often disappoints, by not living up to the promise.

This has provided me with the discipline to continually ask myself three questions while writing. Is this plausible? Is this interesting to the reader? Is it relevant to the story?

Do you want each book you write to stand on its own, or are you trying to build a body of work with connections between each book?

My The Invisible College Trilogy (They Do Things Differently Here, Dust and Shadows, A Perilous Journey) was published between August 2015 and October 2016. The trilogy is intended to be read in sequence. Each book is written in a style to reflect the development of the plot.

Book 1 is written with hints of the Gothic, as befits the arrival of the teenage protagonists in a community apparently locked in a 1950s time warp. Book 2 continues in a detailed, analytical manner, as many secrets and references to myths and legends are uncovered. The final volume moves swiftly towards a dramatic conclusion.

I am working on a prequel, which explains the history and rationale for the hidden village.

What did you edit out of this/these book/s?

I was ruthless at removing superfluous dialogue, leaving the reader to fill gaps in the text and to research for themselves many of the references to science, myths and history. An enormous amount of research went into the books; I needed to take care not to burden the reader with too much detail. This demanded further cuts.

I believe that the result is that the trilogy can be read as a simple adventure, taking the text at face value. Alternatively, the curious reader can do their own research of topics of particular interest.

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5 Questions for Authors

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Ever notice when you read an interview from an author, they always ask the same questions: how did you get into writing? What inspires you? What inspired you to write this book? It gets samey after a bit.  So I had a trawl of the internet for different questions and came up with these 5 as my favourites of the moment.

  1. What is your favourite book from childhood?
  2. What is the first book that made you cry?
  3. Have you ever read an author whose books you didn’t like, and how has this impacted on your writing?
  4. Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?
  5. What did you edit out of this book?”

Here are my answers:

whangdoodles

My favourite book from childhood was bought for me by my mum and dad. Written by Julie Edwards – or so it said on the front cover – it was the tale of three siblings: Ben, Tom and Melinda Potter, who through their association with Professor Savant travel to meet the last of the Whangdoodles; a mythological creature capable of growing his own slippers. As a kid, I was enchanted. As an adult I need to find it  at my parents and read it again.

The first book that made me cry was Tom’s Midnight Garden by Philippa  Pearce. It’s towards the end when Hetty gets older, falls in love with Barty and ceases to see Tom.

As for the author whose books I didn’t like – I have a confession to make. It’s Tolkein. It’s probably not his fault. It’s probably the fault of my English teacher in first year senior (year 7) for making us read The Hobbit. Whatever possessed them? It’s a book you should curl up with not be forced to read in school. It scarred me for life. How has impacted on my writing? I get to the action as quickly as possible. Also, I don’t write books worthy of literary study. In my mind, it’s the kiss of death.

toms-midnight

My books do have connections, yes. The historical research binds the three books, obviously, but I have cameos. Melville from book 1 of Aldwych Strand – pops up in Cowardice, as does Mark (in passing) and of course Lucy gives a little girl some words of advice in Whitechapel, which shapes how she deals with the pawnbroker…

As for what did I edit out of Cowardice of Crows? There was a newspaper article about Symington at the Savoy Hotel.  I wanted it to show him as the centre of the media, and provide a link to the previous books. The editor really didn’t like it. She was right. It was awful. It went.

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SALAD March 2017

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2017tree

How does it know?

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My computer that is. How does it know that I’m on holiday and desperate to write?

Because it’s done it again. Refused me access to the cloud. Done the whirly thing. Overloaded the T’Internet! Spun itself inexorably towards blue screen of death.

I was trying to go pro on Cold Turkey. For those of you writers out who gave no tried it, it provides distraction free writing. You can block websites for a period of time; leaving the temptation there but no way to get to it. I find it brilliant. 

Or at least I would if I could upgrade.

Determined to thwart its plans I changed tack; went to the cloud. Tried to download book 2

More spinning.

Time to implement plan B!

I’ve plugged a cable in. It’s  no better. Still blue spinning thing. Still no cloud.  This computer is determined to thwart me at every turn.

Sod this! Plan Z! 

Does anyone know where I’ll find a typewriter and twenty million pieces of carbon paper?

Sampson’s occasional guide to the Gentleman’s Gentleman.

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A gentleman’s gentleman:3935e3d7f26a3967acacbe8c87794b35

Is up before his master, and goes to bed after him; even when told “not to wait up”.

Is fastidiously neat and tidy in his appearance and habits. He ensures his employer is immaculately turned out – at all times. Even if His Lordship desires to look like a sack of potatoes. He must be a sack of potatoes Fortnum and Masons would stock.

Never gets involved in an argument – however tempting. A raise eyebrow, a stare, even a cough should be  sufficient communication when His Lordship oversteps the mark.tumblr_m59fonwrnt1r3jmn6o1_1280

Is the soul of discretion. He never comments on any aspect of His Lordship’s personal life; even if the latest fancy piece is a lying, manipulative tart out to break hearts. It is not a gentleman’s gentlemn’s place to say: “I told you so.” Even if he is dying to stick his oar in.

To learn more about William Sampson and his Lordship click here